PhD Candidate in Visual and Performing Arts
Teaching Associate
University of Texas at Dallas
Researcher | Filmmaker | Educator
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I am a PhD Candidate in Visual and Performing Arts at The University of Texas at Dallas whose research and creative practice focus on cinema and moving-image media. As a filmmaker and practitioner-researcher, my research interests include cinematic form and politics, the Transnational Political Image, Iranian art cinema, experimental animation, political aesthetics, and Practice as Research. Working across theoretical inquiry and creative practice, I investigate how political capacity can emerge through aesthetic and cinematic form.
Creating a Transnational Political Image Through Experimental Animation: Bridging Resistant Strategies of Iranian Art Cinema with Anti-hegemonic Aesthetics
My doctoral research develops the concept of the Transnational Political Image through experimental animation within a Practice as Research methodology. The project establishes an aesthetic dialogue among Jacques Rancière’s politics of aesthetics, Laura U. Marks’s intercultural cinema, Hamid Naficy’s accented cinema, and the resistant cinematic strategies of Iranian art cinema filmmakers Abbas Kiarostami, Mohsen Makhmalbaf, and Jafar Panahi during the 1980s and 1990s. Through this comparative dialogue, the research identifies shared resistant and anti-hegemonic aesthetic strategies and logics and develops a theoretical framework for understanding and conceptualizing the Transnational Political Image. The findings of this theoretical framework are then translated into cinematic strategies that collectively form a practice-based methodological framework for constructing a Transnational Political Image through experimental animation. Sensorship, the experimental animated film produced as the practical component of the dissertation, functions as the primary site of inquiry through which these strategies are developed, tested, and critically reflected upon, generating new methodological knowledge through creative practice.
PhD Candidate in Visual and Performing Arts
The University of Texas at Dallas
M.A. in Animation
University of Art, Tehran
B.A. in Architecture
University of Applied Science and Technology
Teaching Associate (Instructor of Record)
University of Texas at Dallas, USA
Spring 2026–Present
FILM 2332: Understanding Film
Summer 2026: Online
Spring 2026: In-person
Teaching Assistant
University of Texas at Dallas, USA
August 2022–Fall 2025
Film Studies (4 semesters)
Art History (3 semesters)
Art (1 semester)
Visiting Instructor
Farabi International Campus, Tehran University of Art, Tehran, Iran
February 2019–December 2020
Animation Directing I & II (M.A. Level)
Bertolt Brecht’s Soul in the Body of Experimental Animation: Common Audiovisual Strategies between Epic Theatre and Robert Breer’s Short Animations
Avanca Cinema Journal, No. 13, 2022
Visual Method of Paronomasia in Amir-Hamzeh Animation as a Strategy for Creating a Musical-Literary Animated Narrative
Book Chapter (Persian), Short Film Studies: Narration in Short Film, JICA Publication, 2021
Figurative Language Methods as Strategies of Socio-Political Criticism in Jan Švankmajer’s Films
Journal of Visual Art and Design, No. 12, 2020
Book (Persian): Cryptic Arms: Jan Švankmajer’s Filmmaking Techniques as Strategies of Sociopolitical Criticism
Shivatir Publications, 2019
Common Aspects Between Feature and Short Films in Applying Major Styles of Figurative Language
Conference Proceedings Chapter (Persian), Tehran International Short Film Conference: Past, Present, Future, Aban Publication, 2018
Society for Cinema and Media Studies (SCMS), 2026
The Unbreakable Bond Between Politics and Film in the History of Iranian Cinema
Society for Animation Studies (SAS), 2026
Animating Presence in Experimental and Expanded Animation: Materiality, Performance, and Artistic Agency
Northeast Modern Language Association (NeMLA), 2026
Examining Experimental Animation Strategies and Pixilation to Develop a Body- and Mind-based Style
International Association of Maternal Action and Scholarship (IAMAS), 2025
Mythological Destabilization of Masculine Hegemony in Lucrecia Martel's Salta Trilogy
South Atlantic Modern Language Association (SAMLA), 2024
Mircea Eliade's Mythological Vision and Archetypal Patterns Through Terrence Malick's Lens
Graduate Student Mentor
Bass School's Association of Graduate Students (AGS) Mentorship Program
University of Texas at Dallas, USA
Summer 2026
Visual and Performing Arts (VPA) Representative
Bass School Association of Graduate Students (AGS)
University of Texas at Dallas, USA
Fall 2025–Spring 2026
President, Animation Division
College Student Scientific Society
University of Art, Tehran, Iran
2015–2016
Dean's Teaching Fellowship
University of Texas at Dallas, 2026–2027
Dean of Graduate Education Dissertation Research Award
University of Texas at Dallas, 2026
Robert Plant Armstrong Endowed Scholarship
University of Texas at Dallas, 2026–2027
Harry W. Bass Jr. Graduate Research Award
University of Texas at Dallas, Spring 2026
Harry W. Bass Jr. Graduate Research Award
University of Texas at Dallas, Fall 2025
Bremer Travel Award
University of Texas at Dallas, 2024–2025
Best Paper Award
2nd Tehran Seminar on Short Film Studies, Tehran, Iran, 2021
Best Paper Award
Short Film Studies Conference: Past, Present, Future, 33rd Tehran International Short Film Festival, Tehran, Iran, 2016
RED, BLACK & BLUE (2023, 6 min.)
Co-director and co-producer with Dárē Akinwole
Editor and Sound Designer
WHEN L.R WEPT (2022, 5 min. 30 sec.)
Director, Writer, Producer, Animator, Editor, and Sound Designer
Fashion Nazi (2016, 1 min. 40 sec.)
Director, Writer, Producer, Animator, Editor, and Sound Designer
The Prophets of Terror (2016, 4 min. 25 sec.)
Director, Writer, Producer, Animator, Editor, and Sound Designer
Unjust Matches (2016, 3 min. 50 sec.)
Director, Writer, Producer, Animator, Editor, and Sound Designer
RED, BLACK & BLUE (2023, co-directed with Dárè Akinwole)
Awards: Best Director, Best Sound Design, and Audience Choice Award, Cosmic Film Festival, University of Texas at Dallas, USA, 2024
Official Selections: Minnesota Film Festival, USA, 2025; 5th Ethereal Horror Fest, USA, 2024; 11th International Student Film Festival Opavský páv, Czech Republic, 2024
WHEN L.R WEPT (2022)
Award: Honorable Mention, Student World Impact Film Festival (SWIFF), USA, 2023
Official Selections: IMPACTE! Human Rights Film Festival of Catalonia, Spain, 2024; Queens World Film Festival, USA, 2022; Tehran International Film Festival, Iran, 2022; Shorts Mexico, Mexico, 2022
LOCKED (2019)
Awards: Jury’s Sound Special Award, Kimera International Film Festival, Italy, 2021; Best Animation (Golden Earth Prize), International Cittadella GeoFilmFestival, Italy, 2020
Official Selections: Chaniartoon, Greece, 2021; Link International Film Festival, United Kingdom, 2020; Festival Internacional de Cine Silente, Mexico, 2019; International Shahr Film Festival, Iran, 2019; Tehran International Animation Festival, Iran, 2019
V. CYCLE (2019)
Official Selections: FFTG Awards, USA, 2020; 25th Linea d’Ombra Festival, Italy, 2020; Short Short Story Film Festival, USA, 2019
For Freedom (2016)
Official Selections: Cabriolet Film Festival, Lebanon, 2018; Bute Street Film Festival, United Kingdom, 2018; Festival Internacional de Cine Silente, Mexico, 2018; Constantine’s Gold Coin Animated Film Festival, Serbia, 2017; Festival Cinema Invisible, USA, 2017; Asia Peace Film Festival, Pakistan, 2017; Derechos Humanos Festival de Cine Madrid, Spain, 2016; Wolves Independent International Film Awards, Latvia, 2016; 33rd Tehran International Short Film Festival, Iran, 2016; Chandler International Film Festival, USA, 2016; Move Me Production Online Film Festival, Belgium, 2016; 4th Indian Cine Film Festival, India, 2016; 12th Action on Film Festival, USA, 2016
Fashion Nazi (2016)
Official Selections: Iranian Film Festival, USA, 2017; Kargil International Film Festival, India, 2017; Preview International Film Festival, Spain, 2017; Tehran International Animation Festival, Iran, 2017; International 100-Second Film Festival, Iran, 2017; Constantine’s Gold Coin Animated Film Festival, Serbia, 2017; Short to the Point Online Film Festival, Romania, 2016
The Prophets of Terror (2016)
Official Selections: Salento Finibus Terrae Film Festival, Italy, 2017; 13th Human Rights Film Festival of Barcelona, Spain, 2016
Unjust Matches (2016)
Honor / Official Selection: Official Selection and Top 12 Ranking, FEELFEST International Online Festival, Spain, 2017
FLOWERS AND TREES (2026)
Juried Exhibition, MVA Art Gallery, Bethlehem, Pennsylvania, USA
Concept Drawing: HUWOODMON (from the Natural Humonsters series)
Landscape(s): Reimagining Our Shared Spaces (2026)
International Juried Exhibition, Old Walls Gallery, Albuquerque, New Mexico, USA
Concept Drawing: HUROCKMON (from the Natural Humonsters series)
Before the Algorithm (2026)
Juried Exhibition, The Courtyard Theater Gallery, Plano, Texas, USA
Concept Drawings: HUMUDMON and HUROCKMON (from the Natural Humonsters series)
Artists as Catalysts for Social Change (2025)
International Juried Exhibition, Ludington Area Center for the Arts (LACA), Michigan, USA
Concept Drawing: HUROCKMON (from the Natural Humonsters series)
Explore the Natural Humonsters Series
Academic Email:
Ahmad.Khoshniat@utdallas.edu
Personal Email:
ah.khoshniat@gmail.com